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Sundancing

by Epistrophe Smith

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A danceable track with a beautiful fragile melody & double bass effects.

Originally entitled The Sundance Kid, (after the classic 60’s film Butch Cassidy & The Sundance Kid), Sundancing is a composition based on an improvised melody chopped up to create a melodic structure. The aim was simple; to write a melodic track for dancing.

I dug out my old Yamaha PSR-22 keyboard and found by half pressing the keys produced quite a different sound than was originally intended. By doing so I managed to achieve a beautifully delicate sound, and running it through an old valve pre amp added the warmth you hear on the recording.

The subtle swishing sound heard throughout, (but prominent at the beginning), was produced by lightly and quickly moving my double bass bow back and forth over the strings without adding any pressure. It’s an unusual sound which provides a level of variation to the beat. The beat itself moves between a delayed rimshot and heavy snare drum seeped in reverb. This shift offers a little respite from the repetitive three note bass line, and moves the rhythm section up a gear when required.

credits

released March 10, 2017

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Epistrophe Smith Bristol, UK

Modern electronic composition.

Epistrophe Smith understands electronic music. He gets it, and invites the listener to understand too.

He establishes delicate rhythms, mixing samples with synthesised and live beats, building soundscapes that evolve in waves; audial worlds with musical stories accompanying the listener as their narratives merge and we are left realising we have entered new realms
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